Printing was said to have been invented in China during the Tang dynasty, and the innovation was later further developed in Europe. At that time, printing was purely functional; there were no room for design and aesthetics. Over the centuries, art flourished as standards became higher, and technology was spawned. Art became a science and aesthetics gradually crept into our lives and stayed on permanently. No matter what new invention it may be, design will be there to see it through.
As much as the content of print and online mediums are the same, they have vast differences when it comes to the design. In the comparison between the print and online publications, the latter platform seems to be more favourable because of the convenience and cost-saving benefits. However, print has been around long enough to not be threatened by the online media, but it is imperative to keep up with times. Print publications will need to have an online presence.
How a publisher comes to conclude if they want to shift from print to an online platform, or to expand the publication via an interactive web site, they will need to understand the differences between the two mediums.
Parker (2003, p. 288) argues that advantages of website distribution far out-weights conventional brochures. Besides having no minimum printing requirements, flexibility and promptness of information updating, the distribution can be done also immediately.
As much as the content of print and online mediums are the same, they have vast differences when it comes to the design. In the comparison between the print and online publications, the latter platform seems to be more favourable because of the convenience and cost-saving benefits. However, print has been around long enough to not be threatened by the online media, but it is imperative to keep up with times. Print publications will need to have an online presence.
How a publisher comes to conclude if they want to shift from print to an online platform, or to expand the publication via an interactive web site, they will need to understand the differences between the two mediums.
Parker (2003, p. 288) argues that advantages of website distribution far out-weights conventional brochures. Besides having no minimum printing requirements, flexibility and promptness of information updating, the distribution can be done also immediately.
Design Elements - Print vs Online
The design process changes when conceptualising for print and online. The designer will need to understand the differences in order to create an effective webpage. Walsh (2006, p. 24) discusses the 'paradigm shift' as we progress into an era and environment 'filled with visual, electronic and digital texts' to enhance our education. She explains that when reading print-based texts, the visual sense is usually tactile and attention is paid to typographical arrangement, formatting, layout, font and punctuation. Reading off an online site, however, involves not only the tactile sense, but also the visual, hearing and kinaesthetic perceptions. The visual style is based on choice and arrangement of medium, angles, colour, graphics, animation, windows, frames, menu board and hyperlinks (Walsh 2006, p. 35).
Nielsen (1997) observes that people rarely read web pages word-for-word; they scan the page instead. He suggests using the following methods to make text scannable since 79% of users scan any new pages they come across:
- To highlight keywords
- To employ meaningful sub-headings
- To use bullet points
- Only one idea per paragraph
- Write more with less words
- Follow the inverted pyramid format
Print mediums usually have more fun with the design aspects. Photos, pull-quotes can be enlarged to accentuate the emphasis or have the images spread across two pages. The online platform has a little flexibility with their font selection and design. Having a complex design would mean having to obtain more advanced software or technology, which would then pass on the inconveniences to the readers. Higher resolution pictures would also translate to taking a longer time to download the pages, causing the readers to exit the page in frustration.
Parker (2003, p. 270) also argues that reading online is far more difficult that reading a printed document because of the different way the reader's eyes encounter the message.
References:
Nielson, J 1997, 'How users read on the web', viewed 20 May, 2010, <http://www.useit.com/alertbox/9710a.html>
Parker, RC 2003, Looking good in print, Paraglyph Press, Scottsdale, Ariz.
Walsh, M 2006, 'The textual shift: examining the reading process with print, visual and multimodal texts', Australian journal of language and literacy, vol. 29, no. 1, pp. 24-37.
Image Source: Vogue
Nielson, J 1997, 'How users read on the web', viewed 20 May, 2010, <http://www.useit.com/alertbox/9710a.html>
Parker, RC 2003, Looking good in print, Paraglyph Press, Scottsdale, Ariz.
Walsh, M 2006, 'The textual shift: examining the reading process with print, visual and multimodal texts', Australian journal of language and literacy, vol. 29, no. 1, pp. 24-37.
Image Source: Vogue